Sunday, March 23, 2014

Misogyny as Arachnophobia

The opening sequence's gold-and-onyx lighting and oblique angles afford a maybe-great filmmaker's sense of immanence to the containment of male ambivalence toward female Difference in underground spectacle, but then the rest of Denis Villeneuve's well-acted, well-shot Toronto-set ENEMY fails to make the leap from misogyny to empathy represented by Kafka, Lynch, Araki, Bertolucci, Rudolph.

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